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''Aux Armes et cætera'' is the thirteenth album by Serge Gainsbourg, released in the early spring of 1979. It was recorded in Kingston, Jamaica, with some of the island's best reggae musicians as well as members of the I Threes, Bob Marley's backup chorus which includes Rita Marley. Further expanded by new mixes released in 2003, the album is considered by many as being one of his masterpieces. The French edition of ''Rolling Stone'' magazine named this album the 50th greatest French rock album (out of 100).〔Magazine ''Rolling Stone'', n°18 of February 2010, 〕 With the notable exception of Peter Tosh recording a duet with Mick Jagger a few months before, it was the first time a Jewish, European singer recorded reggae in Jamaica. ==Original Mixes== With the exception of his 1969 international hit duet with Jane Birkin ''Je T'aime Moi Non Plus'' (where Birkin's erotic voice had turned the song into a novelty success), Serge Gainsbourg was then only a cult figure having mainly met success through versions of his songs recorded by other interprets including Brigitte Bardot, Juliette Gréco, Honor Blackman, Jane Birkin, France Gall, Petula Clark and others. The album sold over one million copies in 1979, turning him into a major sensation in France, Belgium and French-speaking Switzerland. ''Aux Armes et cætera'' is one of the first appearances of reggae in French music though his own ''Marilou Reggae'', which appears here in a different arrangement with an extra verse, renamed ''Marilou Reggae Dub'' (the composition had first appeared on his 1976 album, ''L'Homme à Tête de Chou'', which had been recorded in London with non-reggae musicians). The title track is a reggae adaptation of ''La Marseillaise'', the French national anthem. Soon after the song's first appearance on television on April 1, 1979 (a controversial appearance followed as the recording was perceived by some as an insult to the French Republic), it became a big success. Gainsbourg received death threats upon release of his cover of the French national anthem. One journalist, Michel Droit of Le Figaro criticized the song writing that Gainsbourg was feeding antisemitism by "''trying to make money with the national anthem''". Deeply hurt, in turn the singer published a striking reply. Other critics did not like that the original text was truncated, half of the chorus line (including the most military-oriented section of the song) being edited out. Some years later in 1981, Gainsbourg purchased the original manuscript of "La Marseillaise" at an auction, which was signed by the composer. He then showed critics that his version was, in fact, closer to the original than any other recorded version as the manuscript clearly shows the words "Aux armes et cætera..." for the chorus as author Rouget de l'Isle did not bother writing the full chorus each three times, preferring to shorten it with the word ''etc.''..〔"Outrage au drapeau: Gainsbourg et la Marseillaise," ''Le nouvel observateur, ''04/26/2010. http://tempsreel.nouvelobs.com/politique/20100426.OBS3032/outrage-au-drapeau-gainsbourg-et-la-marseillaise.html♙〕 Two other singles were taken from the album: ''Vieille Canaille'' (a French version of ''You Rascal You'' written in the 1920s by Sam Theard) and Gainsbourg's own ''Lola Rastaquouère''. A short European tour featuring the Jamaican group The Revolutionaries (see-line-up below) but not the I-Three followed in December 1979, culminating in a series of shows in Paris. At a show in Strasbourg, outraged paratroopers showed up in the concert hall and the show was cancelled. Serge Gainsbourg nevertheless came onstage on his own and courageously sang the regular national anthem, stating that he gave "''La Marseillaise its original revolutionary meaning back''". The soldiers then sang along with him in a military salute posture. The event was shown on TV news, causing more controversy and sarcasm - and boosting album sales. The Paris shows at ''Le Palais'' were recorded by Philippe Lerichomme, mixed by Bruno Blum and engineer Thierry Bertomeu and issued as a double CD, ''Gainsbourg Et Cætera'' in 2006. With the same musicians and backing vocalists, Serge Gainsbourg recorded a reggae follow-up studio album in 1981, ''Mauvaises Nouvelles des Étoiles''. In 2003 that album was also given the "dub style" treatment (see "new mixes" below) by Bruno Blum and Soljie Hamilton. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Aux armes et cætera (album)」の詳細全文を読む スポンサード リンク
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